Alan Sorrell (1904-1974):
Sketch for An Aerial View of a Wartime Airfield, circa 1944
Framed (ref: 3750)
Pencil, red pencil and ink on cardboard, squared
11 3/4 x 16 in. (24 x 33 cm)
Provenance: The artist's son, Richard Sorrell
Exhibited: WW2 - War Pictures by British Artists, Morley College London, 28 October -23 November 2016, cat 65.
Literature: Sacha Llewellyn & Richard Sorrell (ed), Alan Sorrell; the Life and Works of an English Neo-Romantic Artist, (Bristol: Sansom & Co.) 2013, p 98-115; WW2 - War Pictures by British Artists, Edited by Sacha Llewellyn & Paul Liss, July 2016, cat 65, page 101.
During the Second World War Sorrell served in the RAF from 1940, where he was able to make first-hand visual records of the daily life in the Air Force. 26 of these pictures were acquired by the War Artists' Advisory Committee. The broad titled viewpoints that resulted from hours of flying would later inform his reconstruction drawings which were often constructed around a birds-eye view.
(detail) Construction of a runway at an Aerodrome, (copyright:The IWM).
After the war Sorrell made a considerable reputation for his remarkable ‘reconstruction’ drawings of ancient sites, shown as they appeared in their heyday. The drawings and paintings combine his keen interest in history, and collaboration with archaeological and historical experts, with a vivid artistic imagination and sense of spatial awareness.
This work brought him into close working relationships with many of the foremost archaeologists of his day, including Sir Cyril and Aileen Fox, Sir Mortimer Wheeler, Leonard Woolley, Kathleen Kenyon, Ian Richmond, Richard Atkinson, Stuart Piggott, V E Nash-Williams, Stuart Rigold and many others.
As was his practice with mural paintings, Sorrell made sketches and preparatory drawings, which led to the finished reconstruction drawings. These works were commissioned by the Ministry of Works (English, Welsh and Scottish Heritage), The
Illustrated London News, television companies and others.